2023 Off to a good start

 Well its only February and 2023 has certainly got off to a great start photography wise for me. 

Michael upgraded his equipment last year and kindly gave me his Z6 which has the fantastic focus shift feature, allowing focus stacking. He had let me use it frequently over the last couple of years, but this last month I have really concentrated on focus stacking in my mini home studio ( dining room/table). I bought a couple of insects to practice with, used some flowers and other objects too. I was directed to a fantastic macro photographer youtube channel, full of excellent videos giving information on pretty much everything you could ever need to know to get started in macro focus stacking. Namely Allan Walls photography. I ended up watching the videos most days this last few weeks and joining the new livestreams. Despite having done macro and close up photography for 17-18 years, I have learned loads through this channel and put a lot of it into practice already. 

My aims in improving with focus stacking are to use it creatively, like in the Astrantia image above, combining it with creative effects in camera, and using creative lenses. Secondly is to get more into extreme macro - such as  x2 -x 5 life size and see how I get on with that. 

Now I was really over the moon and grateful to have the opportunity to use the Z6 for focus stacking. However, I had some great news this month in winning both 1st and 2nd place in the Camera Jabber photographer of the year competition and this has allowed me to add in some extra gear ( I will also sell some as the prize - £1500 voucher to spend with MPB -  didnt have the main piece of equipment I wanted) So I treat myself to an automated focus rail - the WeMacro rail, after watching video reviews on it. This allows me to use my Sony camera and all its lenses, meaning I can get more creative. I have also got a Canon MPE 65 macro lens coming as part of my prize - this allows up to 5x life size. So I will be able to really  focus on the macro side of things this year. Im feeling super lucky and grateful in winning this competition. 

I ordered some ethically sourced taxidermy specimens to photograph and Im slowly learning how to relax them, position them and photograph them. Ive ruined most of them already, breaking feet or antennae off, but its all part of learning I guess. Above is a Giraffe beetle, quite fascinating - as so many of these insects are. Its a whole new world photographing insects.

Ive had to learn new lighting techniques to help avoid glare and hotspots on shiny subjects such as beetles and small products such a jewellery, so its a great learning experience. I've been using extra scrims and flagging more, aswell as reflecting light a lot - all techniques I use for still life - but in slightly different ways. Its not coming easy with my brain fog, but I leave everything set up constantly and often enlist Michaels brainpower when I get stuck or forget things/ cant work something out. Even photographing something that might appear simple like these beautiful earrings given to me by my daughter, has been helped by employing my new knowledge and growing macro skills. 

Ive had more exciting news this month too, I have 3 images shortlisted in the SWPP Photographer of the year awards - 2 in the macro category and one in In camera artistry. The results are out in March.

Also, I was thrilled to have an image Highly commended in the Beauty of plants category and another in the Abstract category of International garden photographer of the year. So thats a total of 6 images placed in al the categories for 2022. Its worth taking a look at their website as the winning entries are quite wonderful. My favourites are the winning portfolio by Barry WEbb of Slime moulds - something I am keen to try myself once I improve with closer focus stacking. 

Yet another competition result was with the WPE - I had completely forgotten that I had entered 3 images and was browsing the winning images when I discovered I had won first place and Gold medal in flowers and two silver medals in macro. So its been a bit of a crazy month competition wise, funnily enough I had been considering pulling back from competitions and entering less, now Im not sure. Ive stopped entering a couple, but will have a think on whether I really want to enter so many. I do enjoy entering some and it pushes me to improve. So I will likely still enter my favourite subjects of macro/close up and flowers. I have entered a bit of a fun image into Allan Walls photography's macro mineral competition and funnily enough got it highly commended with the SWPP - it wasnt a serious entry but more fun. See below.

This last week I treat myself to some of my favourite flowers - Anemones - Blue mistral and Nero, and Ive been learning how to use the WeMacro rail whilst photographing these. I have some pastel Anemones coming next week - something Ive not been able to get hold of for many years. One good thing is that it doesnt use much energy as everything sits on a tripod, so easier to capture images in a way. Ive loved getting images like the one below with the centre in focus and still lots of nicely blurred out of focus bokeh. 

So anyone following my photography will be seeing lots of beetle and flower photography popping up and hopefully will see some improvements in my macro work. 

I also have two lensbaby lenses coming as part of my prize from Camera jabber and MPB which I am excited to use in focus stacking too. Lots to keep me occupied with macro at home whilst Im not managing much physically, although I really am hoping to get out to photograph Snowdrops, Crocuses and other spring flowers asap.

This years projects and Mindfulness again

 I've been getting out to do photography a bit less lately with M.E.  affecting my ability a bit more in the last couple of months. So I have been spending less time doing photography at home too, just trying to conserve energy and get myself feeling a bit better. Instead I have been spending time planning photography projects for this year and doing a little water colour painting which I have loved. Two of my first water colour paintings is below.

 As usual I have planned some photography projects for this year and I am finally going to try hard to get a portrait project off the ground that I have been slowly planning and creating accessories for, over the last few years. Its a personal venture incorporating interests close to my heart - nature and pagan beliefs. I am not religious but do follow the pagan wheel of the year which has 8 celebrations throughout the year, based on seasonal changes. Each occasion involves various significant elements and occurs at specific times, for instance the next one is Imbolc  - where the Green man chases off Jack Frost, we celebrate growth, hope and the changing of light. Spring cleaning  possibly comes from this, where we clean out and let go of the past and make way for new beginnings. The Goddess Brigid is honoured, as she brings healing and fertility. My project involves creating my own visual interpretation of various characters that are associated with these celebrations, starting with Brigid, Jack Frost and the Green man in his Oak guise. Each character will be thoroughly researched and I hope to involve many elements that are important to the particular character or celebration. I'm sure many of you may be fascinated with the stories and how they are connected to modern day culture, or other religions.

I have already attempted to create two of these characters in the past few years, but my progress has been slow due to many factors - but mostly M.E. So I am excited to get started and with careful planning, even a very short photo shoot can produce what I am after, although I have decided to involve other photographers to allow me to take my time and  just shoot for brief spells with rests. Below is my first attempt at one character from Ostara the 2nd celebration in our calendar. This was taken a couple of years ago, in a short shoot in my bedroom.

Model Courtney Lorraine
Make up b #Annsmakeupchair
Headwear by  me 

Based on Goddess Ostara ( Eostre - Goddess of Spring/Balance/fertility/rebirth) - the hare gave the Goddess an egg - hence the the hare and eggs in the head wear, daffodils, birds nest and butterflies incorporated into it as signs of spring

One popular story you might know of involves the origin of the Easter Bunny. Essentially, the tale is that Ostara, the Goddess of the spring, transformed a bird into a hare, and the hare responded by laying coloured eggs for her festival.

Another of my characters is a Tree spirit based on beliefs of trees being chopped down and brought inside to warm the tree spirit at the end of the year. Although I did not produce all the elements I intended in my two attempts - I'm getting closer each time. Here are two attempts at my ideas of Tree spirits. 

Trees have traditionally been used to celebrate christmas and winter festivals throughout time. Pagans would bring in evergreen trees or branches to celebrate the festive season around the winter solstice. Legend has it that a long time ago a tree would be brought in during the cold months to invite the wood spirits inside homes to share and relish the warmth of the fire inside ( slightly ironic considering they were most likely burning wood/trees). The use of evergreens would symbolise everlasting life and the coming spring, Pine and holly would be used in decoration as it was thought to offer protection, Ivy was used for immortality, the use of mistletoe and its white berries would symbolise fertility.

A few of these elements, but not all are represented in some of these images.
Whilst I have used a Lensbaby to produce the ethereal, effect that I felt helped make the character more spirit like, blending into he surroundings. The studio images deliberately have fiery orange in the background as the warmth of the fire, or green for the everlasting greens and promise of the coming spring.

The headwear, neckwear and top were created by me, with a tiny faux fur waistcoat over the top.
Modelling was the amazing Hell DBella who was very expressive, emotive and full of a million poses.
Make up and body paint was provided by the lovely, talented Viki Lloyd and funky hair carefully styled by the lovely Solitaire Weber. Again this was produced a few years ago.

Below - MUA Jayde Louise from Glass house glamour and Natalie Mckee modelling
Headwear, and top by me Created two years ago.

So I look forward to getting further with this project this year and sharing the stories with you. Even if I only manage the first 3 characters this year then I am still moving forward with my project.

 I am also going to continue trying to improve on and enjoy photographing plants, fungi and still life as time, life and my body allow, probably mostly from home but hopefully outdoors too.

Mindfulness

 You may recall my blog about mindfulness last year, well I have continued to practice this ever since, finding it even more important when my body is not functioning well or when stressful events occur. I have extended my mindfulness strategies to include art and crafts, on top of the meditation, appropriate yoga, deep breathing exercises and photography. 

 Recently I was honoured to be involved with an article in Amateur photography magazine about how photography has helped people with various illnesses. Do look out for this issue mid February, its a great read by Geoff Harris and Tracey Calder has apparently produced a fab piece on mindfulness too. I'm looking forward to reading it all. Amateur photographer

Some images from my most recent mindfulness photography below, losing myself in the beauty of nature. All taken within a few ft of a car park. I went out feeling quite unwell, but needing to get out of the house and spent my time right next to the car, to avoid using too much energy and making myself feel worse. I had no photography ideas in mind, but just captured the beauty of nature around me, and it was a gorgeous day. As usual this helped me by distracting me from all of my symptoms, reducing their impact. The next day I paid for it with worsening symptoms but that is the nature of M.E. and at least I had a lovely time and some nice photos.

 It was an interesting experience as its a well frequented spot by photographers and this particular car park had around 16 photographers passing through and waiting around to photographer an infrequent bird visitor. They all stood for hours not getting the shots they wanted and I thought that it cant be very fullfilling stood for hours not getting any photos. I over heard two of them saying they wanted to go and look to see what I had been photographing whilst lying on the ground ( did you see that photographer lying on the ground!!!). I had a good giggle. Im sure I enjoyed myself more than they did and I certainly had a more productive time, with no set ideas. Im sure it would benefit other photographers if they challenged themselves to photograph what was around them, they  could find new joys in capturing the very obvious details right in front of their noses.

Some good news on the photography competition front for January. Firstly I have had 2 images shortlisted in CUPOTY's Two of a kind challenge, I look forward to seeing the results in February. There are so many incredible images shortlisted - do pop and take a look - CUPOTY Two of a kind shortlist

Pic above is Derwentwater, near Pow hill in Northumberland

I am also looking forward to hearing results from IGPOTY 2021 in February and to see if I am nominated in the SWPP POTY 2021in one of the categories where I received a gold award (Macro, In camera artistry and Plants, forests and fungi) - apparently nominated photographers find out next week, with the prize giving in March at their convention. Then there are the results of the NPS POTY 2021. So its an exciting time with competition results.

Plant and Fungi POTY, SWPP

 Tonight I was awarded Plant and Fungi photographer of the year 2020, from the SWPP, with this being the winning image. Im over the moon.

It was actually a lot of work getting this shot, travelling into woods on a mobility scooter, it was a nightmare getting to the spot. I took a mat to lie down on and LED light panels which I had to prop up using various sticks due to the lay of the land surrounding it. It was a battle to stop glare on the cap, being a slimy mushroom ( a Blue roundhead) , despite using a polarising filter to help. I ad to clean the mushroom stem with a tiny soft brush to remove specks of dirt, and remove distracting leaves and vegetation from surrounding area. I set up using a mini tripod with ballhead, but it was still difficult getting in the right position due to a .slope and the fact that the tripod is fixed size. I used my Sony A7ii plus a Sigma 150 macro lens and adapter. I had to manually focus using peak focusing as it was dark in the woods. I used ISO 50 to keep noise to a minimum, F10 to get the whole mushroom in focus yet still get bokeh from trees and shutter of 1/13 sec - utilising a shutter release cable to avoid any movement. I had one LED balanced but had to hold a second in place due to awkward location.

Here are other images taken at the same session.