Fungi season and the challenges of doing photography when having M.E.

 Well Fungi season really kicked off early in the north east (UK) with July giving us mushrooms we often would not see until September/October. Friends on Facebook were posting a few images locally and I was lucky enough to actually manage to get out 3 times over 5-6 weeks, to photograph lots of mushrooms, although each time did result in me being very unwell for around a week afterwards, it was worth it as its what I love to do most.

Below - A Grisette or Tawny Grisette which I took home to photograph as they were in abundance

Northumberlandia is a very small woodland the size of about 2 fields, with half of it created with winding paths and a cafe for visitors, plus activities for children. Its nice and flat, fairly easy to get around on the mobility scooter, plus with so much path covering large sections of the wood which helps me to explore most of it, being able to spot lots from the path. Its easy for me to go along with my partner or friend, let them do the hunting,  throw my mat on the ground, with my lights, tripod, bag etc and snap away any of the more common fungi that they can bring me. I do photograph them as they are found too, but not very often as I cannot be getting up and down too often - most days I do not have the strength or energy, and if I do its really not worth the consequences or worsenning symptoms. So I have to adapt. Hence a lot of my fungi photography is done at home, sat at my dining table, using a mini tripod, focus stacking rail and lights which are permanently set up and small interchangeable backgrounds within reach. I know this is not to everyones liking, but having M.E I simply don't have much choice and its better than not taking any photos. I did overdo things twice and really regretted doing so, so now in October when Ive been out I have hardly taken any photos, but instead brough a few specimens home.

A Russula/Brittlegill of some sort

I managed getting along to Wallington hall once too, although barely managed any photography there as my energy was too low/exhaustion levels high etc. I did find the lovely Brittlegill above and was quite happy with the shots I got of that. 

Below are a pair of Plums and Custard mushrooms which I spotted from the path at the Rising sun country park and spent some time lying in the woods capturing a few focus stacked images of. 

One of the project I started working on a couple of years ago was a list of  different ways that I wanted to photograph fungi. Last year I simply couldnt manage hardly any fungi photography, but this year due to bringing some home I have managed some of my projects in my mini home studio by pacing my activities and ideas. I like to have a project or two to work towards each year but this is a longer term idea. I like the idea of creating a book on creative  photography, but this last year I have slowly been putting together slides for a presentation on creative fungi photography. I am undecided on what format to create my presentation as I am often asked to give presentations to photography clubs but struggle too much with my cognitive problems  and reliability aswell as ability due to fluctuating symptoms. Most days there is no way that I could manage an hour to 90 minutes talk/presentation, even if broken into two parts. So I am considering pre recording shorter parts of a presentation, using slides which will help prompt me, plus having notes in front of me, and having this on video. But I am struggling getting my head around putting a slideshow together and how to go about creating a video, despite watching videos about it, my brain isnt taking in the new info and isnt processing, so I may be reaching out to friends for assistance with this.

A pair of Russula or some sort at Northumberlandia in July

So far I am thinking of breaking down a presentation into shorter 15 - 20 minute sections, recording these and then using several put together for full presentations where I can answer a few questions half way and at the end. It may not seem difficult to most people but when your brain gets frazzled so easily like mine does its not straight forward. I will get there in the end though, whether this year, next year or further in the future.

Two tiny jelly bean like Amethyst deciever mushrooms growing in a rotting tree stump.

The experience I had with judging Allan Walls photography flower competition in the summer has helped me with regards to my plans and building confidence. But it also confirmed my issues with my memory and cognitive problems, I did struggle to use zoom on half of the occassions I needed to. . I was lucky enough to be invited to judge a 2nd floral competition with Allan Walls on video and only managed by having everything written down. Again my memory failed me on several occassions, but I was able to brush over this, with having notes to help. I did love doing this and have been asked to judge again, which I will do. It was a great learning experience and I hope to learn more regarding judging photography competitions in time. I will be looking for a mentor/s 

This month I have been attempting to create a few creative fungi images, mostly from home due to being quite ill. It has been a good distraction. Below is a Shaggy Ink cap which my daughter helped be to obtain, photographed at home, using fairy lights in the background.

I am so grateful that I have hobbies and interests that I can manage from home to keep me occupied when my health is so poor. Hobbies such as photography give me such a great creative outlet, helping me to still feel productive in some way and giving me goals to focus on. When I cant take photos I can still plan projects, enter various competitions and browse the internet, books, art etc for inspiration. Its the one main thing that has helped my mental health throughout the 18 years or so of having M.E.

Speaking of competitions I have had great news on the final round of the EISA Animal kingdom portfolio competition that I entered earlier this year. After coming 1st for the UK I went on to come 2nd place internationally which I am thrilled about and never dreamed that I could achieve in an animal competition - particularly as they were images taken at home, of  ethically sourced taxidermy  insect specimens.

In more competition news, I was not going to enter IGPOTY Still life category this year and had not taken images for the competition, but I did have 4 photos taken this year that fitted the brief and entered them at the last hour. I was most surprised with 3rd place, but very happy, making it by 4the year placing in that category. 

I also discovered this month that I came 2nd in the NPS photographer of the year for 2022.

Whilst I have been unable to do much even at home I have been also slowly creating textures to sell and now have a new texture collection - the Autumnal texture pack which will be available via my Etsy shop this coming week.  

Angi Wallace Textures shop

2023 Off to a good start

 Well its only February and 2023 has certainly got off to a great start photography wise for me. 

Michael upgraded his equipment last year and kindly gave me his Z6 which has the fantastic focus shift feature, allowing focus stacking. He had let me use it frequently over the last couple of years, but this last month I have really concentrated on focus stacking in my mini home studio ( dining room/table). I bought a couple of insects to practice with, used some flowers and other objects too. I was directed to a fantastic macro photographer youtube channel, full of excellent videos giving information on pretty much everything you could ever need to know to get started in macro focus stacking. Namely Allan Walls photography. I ended up watching the videos most days this last few weeks and joining the new livestreams. Despite having done macro and close up photography for 17-18 years, I have learned loads through this channel and put a lot of it into practice already. 

My aims in improving with focus stacking are to use it creatively, like in the Astrantia image above, combining it with creative effects in camera, and using creative lenses. Secondly is to get more into extreme macro - such as  x2 -x 5 life size and see how I get on with that. 

Now I was really over the moon and grateful to have the opportunity to use the Z6 for focus stacking. However, I had some great news this month in winning both 1st and 2nd place in the Camera Jabber photographer of the year competition and this has allowed me to add in some extra gear ( I will also sell some as the prize - £1500 voucher to spend with MPB -  didnt have the main piece of equipment I wanted) So I treat myself to an automated focus rail - the WeMacro rail, after watching video reviews on it. This allows me to use my Sony camera and all its lenses, meaning I can get more creative. I have also got a Canon MPE 65 macro lens coming as part of my prize - this allows up to 5x life size. So I will be able to really  focus on the macro side of things this year. Im feeling super lucky and grateful in winning this competition. 

I ordered some ethically sourced taxidermy specimens to photograph and Im slowly learning how to relax them, position them and photograph them. Ive ruined most of them already, breaking feet or antennae off, but its all part of learning I guess. Above is a Giraffe beetle, quite fascinating - as so many of these insects are. Its a whole new world photographing insects.

Ive had to learn new lighting techniques to help avoid glare and hotspots on shiny subjects such as beetles and small products such a jewellery, so its a great learning experience. I've been using extra scrims and flagging more, aswell as reflecting light a lot - all techniques I use for still life - but in slightly different ways. Its not coming easy with my brain fog, but I leave everything set up constantly and often enlist Michaels brainpower when I get stuck or forget things/ cant work something out. Even photographing something that might appear simple like these beautiful earrings given to me by my daughter, has been helped by employing my new knowledge and growing macro skills. 

Ive had more exciting news this month too, I have 3 images shortlisted in the SWPP Photographer of the year awards - 2 in the macro category and one in In camera artistry. The results are out in March.

Also, I was thrilled to have an image Highly commended in the Beauty of plants category and another in the Abstract category of International garden photographer of the year. So thats a total of 6 images placed in al the categories for 2022. Its worth taking a look at their website as the winning entries are quite wonderful. My favourites are the winning portfolio by Barry WEbb of Slime moulds - something I am keen to try myself once I improve with closer focus stacking. 

Yet another competition result was with the WPE - I had completely forgotten that I had entered 3 images and was browsing the winning images when I discovered I had won first place and Gold medal in flowers and two silver medals in macro. So its been a bit of a crazy month competition wise, funnily enough I had been considering pulling back from competitions and entering less, now Im not sure. Ive stopped entering a couple, but will have a think on whether I really want to enter so many. I do enjoy entering some and it pushes me to improve. So I will likely still enter my favourite subjects of macro/close up and flowers. I have entered a bit of a fun image into Allan Walls photography's macro mineral competition and funnily enough got it highly commended with the SWPP - it wasnt a serious entry but more fun. See below.

This last week I treat myself to some of my favourite flowers - Anemones - Blue mistral and Nero, and Ive been learning how to use the WeMacro rail whilst photographing these. I have some pastel Anemones coming next week - something Ive not been able to get hold of for many years. One good thing is that it doesnt use much energy as everything sits on a tripod, so easier to capture images in a way. Ive loved getting images like the one below with the centre in focus and still lots of nicely blurred out of focus bokeh. 

So anyone following my photography will be seeing lots of beetle and flower photography popping up and hopefully will see some improvements in my macro work. 

I also have two lensbaby lenses coming as part of my prize from Camera jabber and MPB which I am excited to use in focus stacking too. Lots to keep me occupied with macro at home whilst Im not managing much physically, although I really am hoping to get out to photograph Snowdrops, Crocuses and other spring flowers asap.

In the news... IGPOTY Portfolio finalist, CUPOTY results and Amateur photographer article.

  Happy news today, on my second year of entering the Portfolio section of the International garden photographer of the year ( IGPOTY), I have managed to get a finalist position. I am thrilled with this, even more so as it is judged by the esteemed Royal photographic society ( RPS). Totally over the moon. What is also lovely is that it is a still life portfolio, a subject which I put a lot of time and effort into trying to improve and learn this last couple of years and hours pondering which to enter. 

 I also managed to get an image placed in the new Fungi category, which is very pleasing as its yet another subject which I have endeavoured to improve upon recently

So here is my fungi image, a strange one as I added textures to it. The mushroom shapes in the background bokeh were created by a tiny mushroom between the lens and the main mushroom. I added my own textures and edited it using Exposure 5 software for a bit of a different feel. Lovely to see fellow photographers Tony North and Barry Webb ( Barry produces the most fascinating macro shots of slime moulds) doing so well in this category too, check them out here -Fungi results

So I can now finally share my still life portfolio with you all. It was a project I embarked on partially in a bid to focus on learning how to light still life images better and also on bringing the beauty of wild flowers indoors - quite a personal one for me as I find it too exhausting photographing outdoors due to having M.E., so adapted to creating something indoors where I can take my time and sit down as much as I need. This is another example for all those who say  that they cannot get out to take floral photos, all the flowers were obtained very near our home ( literally in our garden and our street for some)

I wanted to showcase the beauty of wildflowers in still life settings. These days it is more common to see vases full of flowers bought at florists, but I prefer to enjoy wildflowers in a style similar to the Old Masters’ paintings, with light cascading across them. So, I set out to produce a collection of still life floral photographs, using my own interpretation of the classic still life style.

All plants used were local to me, mostly growing in my garden, a nearby garden, or wasteland. They include; rosebay willowherb, purple loosestrife, salsify, chamomile, dill, and buttercups.

 

This first one is Rosebay willow herb which has fabulous shapes, like tentacles reaching out.

Purple Loosestrife from a wild garden at the end of our street provided a bright splash of purple spikes to contrast against the greens of the vegetables from our local farm shop in this image.

These incredible Salsify seed heads from our garden were screaming out to be photographed, I felt they complimented the wildness of a mini faux birds nest and look quite special adorning  this decorative pewter vase. With subtle colours and creative lighting they pop nicely.

This lovely bunch of Chamomile is a sight I will not see in the same spot again as it is now been used to build houses upon, so it is quite fitting that they have a special place in my local wild flower project.

Wild Carrot or Dill? I am still not sure -  reply with your answers :) Nice vibrant flowers with intricate shapes.

The much over looked humble Buttercups with more Salsify feature with a kind of farmhouse table look.

 I hope you all enjoy my still life portfolio as much as I enjoyed creating it. The lighting was quite tricky in a small room and mostly featured 3 or 4 lights, with reflectors and home made Gobos. Quite time consuming to get it all just how I wanted it as even a slight shift of an inch or two made massive differences to how the light fell.

Do check out the other truly jaw droppingly beautiful portfolios that were placed and the other wonderful images from so many talented photographers in the rest of the categories. I absolutely adore the 1st place image. IGPOTY winning portfolios

In more good news, this week saw the publication of an excellent article ( in Amateur Photographer magazine ) written by the very innovative photographer, Tracy Calder, about mindfulness and photography, an approach I whole heartedly believe can help many people. Tracy kindly put my name forward for inclusion in the subsequent article which was superbly written by the lovely Geoff Harris. Geoff rang me for a little chat about the part photography has taken in my life, my struggles to actually manage photography with the symptoms of M.E. and benefits of using photography as a coping strategy. Its a great read with eye opening interviews from others who have employed photography as a tool to help themselves, its a sensitive subject and handled so well with Geoff's thoughtful and compassionate writing. Worth a read.

Today also saw the results of Close up photographer of the year's Two of a kind challenge. I was lucky enough to have two images make the stunning shortlist. Very chuffed to say that my image of the two Cyclamen made it to the gorgeous finalist selection. CUPOTY TWO OF A KIND WINNERS

This is one of my favourite images taken last year, sadly I can no longer reach this spot on my mobility scooter as it has been devastated by two storms within 2 months, with trees uprooted and hanging precariously. The paths are blocked for the second time in 2 months and I am told that the park is in a much worse state now. So this image is even more special to me, capturing a treasured spot where I practiced mindfulness for the last 2 years during the pandemic. Its a happy image, but tinged with loss of a much cherished woodland habitat.

Above "The Kiss" exquisite, delicate form and shape mixed with romantic pink ethereal haze in this portrait of winter Cyclamen.

A selection of images and tips from winners is to be published in Amateur photographer magazine next week, which could be interesting for those who enjoy a bit of close up imagery. ( I think I should get a commission for plugging a certain magazine this week! :D )

Now I have a question to ask you all, what would you like me to blog about on here?

This years projects and Mindfulness again

 I've been getting out to do photography a bit less lately with M.E.  affecting my ability a bit more in the last couple of months. So I have been spending less time doing photography at home too, just trying to conserve energy and get myself feeling a bit better. Instead I have been spending time planning photography projects for this year and doing a little water colour painting which I have loved. Two of my first water colour paintings is below.

 As usual I have planned some photography projects for this year and I am finally going to try hard to get a portrait project off the ground that I have been slowly planning and creating accessories for, over the last few years. Its a personal venture incorporating interests close to my heart - nature and pagan beliefs. I am not religious but do follow the pagan wheel of the year which has 8 celebrations throughout the year, based on seasonal changes. Each occasion involves various significant elements and occurs at specific times, for instance the next one is Imbolc  - where the Green man chases off Jack Frost, we celebrate growth, hope and the changing of light. Spring cleaning  possibly comes from this, where we clean out and let go of the past and make way for new beginnings. The Goddess Brigid is honoured, as she brings healing and fertility. My project involves creating my own visual interpretation of various characters that are associated with these celebrations, starting with Brigid, Jack Frost and the Green man in his Oak guise. Each character will be thoroughly researched and I hope to involve many elements that are important to the particular character or celebration. I'm sure many of you may be fascinated with the stories and how they are connected to modern day culture, or other religions.

I have already attempted to create two of these characters in the past few years, but my progress has been slow due to many factors - but mostly M.E. So I am excited to get started and with careful planning, even a very short photo shoot can produce what I am after, although I have decided to involve other photographers to allow me to take my time and  just shoot for brief spells with rests. Below is my first attempt at one character from Ostara the 2nd celebration in our calendar. This was taken a couple of years ago, in a short shoot in my bedroom.

Model Courtney Lorraine
Make up b #Annsmakeupchair
Headwear by  me 

Based on Goddess Ostara ( Eostre - Goddess of Spring/Balance/fertility/rebirth) - the hare gave the Goddess an egg - hence the the hare and eggs in the head wear, daffodils, birds nest and butterflies incorporated into it as signs of spring

One popular story you might know of involves the origin of the Easter Bunny. Essentially, the tale is that Ostara, the Goddess of the spring, transformed a bird into a hare, and the hare responded by laying coloured eggs for her festival.

Another of my characters is a Tree spirit based on beliefs of trees being chopped down and brought inside to warm the tree spirit at the end of the year. Although I did not produce all the elements I intended in my two attempts - I'm getting closer each time. Here are two attempts at my ideas of Tree spirits. 

Trees have traditionally been used to celebrate christmas and winter festivals throughout time. Pagans would bring in evergreen trees or branches to celebrate the festive season around the winter solstice. Legend has it that a long time ago a tree would be brought in during the cold months to invite the wood spirits inside homes to share and relish the warmth of the fire inside ( slightly ironic considering they were most likely burning wood/trees). The use of evergreens would symbolise everlasting life and the coming spring, Pine and holly would be used in decoration as it was thought to offer protection, Ivy was used for immortality, the use of mistletoe and its white berries would symbolise fertility.

A few of these elements, but not all are represented in some of these images.
Whilst I have used a Lensbaby to produce the ethereal, effect that I felt helped make the character more spirit like, blending into he surroundings. The studio images deliberately have fiery orange in the background as the warmth of the fire, or green for the everlasting greens and promise of the coming spring.

The headwear, neckwear and top were created by me, with a tiny faux fur waistcoat over the top.
Modelling was the amazing Hell DBella who was very expressive, emotive and full of a million poses.
Make up and body paint was provided by the lovely, talented Viki Lloyd and funky hair carefully styled by the lovely Solitaire Weber. Again this was produced a few years ago.

Below - MUA Jayde Louise from Glass house glamour and Natalie Mckee modelling
Headwear, and top by me Created two years ago.

So I look forward to getting further with this project this year and sharing the stories with you. Even if I only manage the first 3 characters this year then I am still moving forward with my project.

 I am also going to continue trying to improve on and enjoy photographing plants, fungi and still life as time, life and my body allow, probably mostly from home but hopefully outdoors too.

Mindfulness

 You may recall my blog about mindfulness last year, well I have continued to practice this ever since, finding it even more important when my body is not functioning well or when stressful events occur. I have extended my mindfulness strategies to include art and crafts, on top of the meditation, appropriate yoga, deep breathing exercises and photography. 

 Recently I was honoured to be involved with an article in Amateur photography magazine about how photography has helped people with various illnesses. Do look out for this issue mid February, its a great read by Geoff Harris and Tracey Calder has apparently produced a fab piece on mindfulness too. I'm looking forward to reading it all. Amateur photographer

Some images from my most recent mindfulness photography below, losing myself in the beauty of nature. All taken within a few ft of a car park. I went out feeling quite unwell, but needing to get out of the house and spent my time right next to the car, to avoid using too much energy and making myself feel worse. I had no photography ideas in mind, but just captured the beauty of nature around me, and it was a gorgeous day. As usual this helped me by distracting me from all of my symptoms, reducing their impact. The next day I paid for it with worsening symptoms but that is the nature of M.E. and at least I had a lovely time and some nice photos.

 It was an interesting experience as its a well frequented spot by photographers and this particular car park had around 16 photographers passing through and waiting around to photographer an infrequent bird visitor. They all stood for hours not getting the shots they wanted and I thought that it cant be very fullfilling stood for hours not getting any photos. I over heard two of them saying they wanted to go and look to see what I had been photographing whilst lying on the ground ( did you see that photographer lying on the ground!!!). I had a good giggle. Im sure I enjoyed myself more than they did and I certainly had a more productive time, with no set ideas. Im sure it would benefit other photographers if they challenged themselves to photograph what was around them, they  could find new joys in capturing the very obvious details right in front of their noses.

Some good news on the photography competition front for January. Firstly I have had 2 images shortlisted in CUPOTY's Two of a kind challenge, I look forward to seeing the results in February. There are so many incredible images shortlisted - do pop and take a look - CUPOTY Two of a kind shortlist

Pic above is Derwentwater, near Pow hill in Northumberland

I am also looking forward to hearing results from IGPOTY 2021 in February and to see if I am nominated in the SWPP POTY 2021in one of the categories where I received a gold award (Macro, In camera artistry and Plants, forests and fungi) - apparently nominated photographers find out next week, with the prize giving in March at their convention. Then there are the results of the NPS POTY 2021. So its an exciting time with competition results.